The Christmas Board of Directors has decided to cancel Christmas since children everywhere have lost the true spirit of giving. But Santa Claus, not willing to give up his favorite holiday without a fight, demands 30 days to prove them wrong. The board assigns him what seems like an impossible mission: he must change the hearts of two self-absorbed kids and make them see the true meaning of Christmas.

Santtu becomes the victim of a phone theft. The phone contains highly sensitive content that, if exposed, would lead to a cancellation of the social media stars, destroying their careers and ruining a major marketing deal.

For the first time in sixteen years, comedic icon Roseanne Barr returns to the stage for one night only on Fox Nation, with no subject off limits.

The notion of Cancel Culture, which grew out of a mostly progressive move to hold people accountable for bad behavior (especially racist or misogynistic language), has recently been co-opted by conservatives who–in equal measure–bemoan its “woke” goals, cast themselves as its victims, and attempt to use it themselves as a political powerplay, while seeking to deplatform opponents with similar strategies. But is Cancel Culture really new? Or really that powerful? Or really that bad? XCLD is a nuanced look at this provocative and controversial issue that explores the evolution of Cancel Culture, from its history in different forms, to its contemporary genesis on Black Twitter, to where it is today: another divisive issue for people to argue over, and one that creates some exceptionally odd bedfellows

Christmas is much more than one meal: it's a season of celebration. Delia Smith presents an array of mouth-watering treats from truffles and syllabubs to the more traditional mince pies. Party-time is also catered for, and vegetarians can enjoy a menu that has moved on since the nut roast. More than anything, though, Delia's ideas, experience, planning and thoughtfulness ensure that cooks at home responsible for the Christmas meal have all the information they need to make a memorable feast.

Alejandro and Aurora, two young students, leave Santiago and are on their way to spend Christmas with family in Aurora. At the foot of the Andes, the frustrations of Alejandro and Aurora’s doubts about her sexual identity cause tension. The two teens are on the verge of collapse when they discover the presence of a young girl, Alicia, a fragile girl of sixteen years who has fled her home. Gathered around an improvised Christmas tree, Alejandro and Aurora are fascinated by the enigmatic Alicia, who is becoming the object of their desire.

"This singular, bleakly funny, R-rated vision of Kiwi life clinches King's position as the most distinctive new voice in NZ film, as insistent and inescapable as The Warehouse jingle." - New Zealand International Film Festival director Bill Godsen. Made at the beginning of the digital revolution, this micro-budget feature went on to win several awards and be selected for major Fests incl. Toronto, Locarno, Edinburgh, and Melbourne.

Christmas is also coming to the Emergency Brigade House. Silink, Potterick and Bembelat's preparations for a nice evening are interrupted by another call. But you can't refuse a desperate mother whose children are waiting for Father Christmas.

Eve is a Christmas movie fanatic and dreams of having a movie-perfect Christmas with a movie-perfect boyfriend. On Christmas Eve, when Eve and her cynical sister Lacy make wishes to Santa, they wake up in Christmas Town and find themselves trapped inside a Christmas movie where they are the stars. But when things start to go wrong, and Eve's knowledge of all things Christmas movie fails to fix things, Eve and Lacy try to find a way out of the picture-perfect Christmas and back to reality.

A child is lured out of his home, kidnapped and held captive in the small cell in the basement of a church-bunker by three pedophile priests. One night a mysterious visitor opens the cell door and leaves him a sack full of Christmas presents.... The Film was published as a segment of "Deathcember" but was banned from the VOD Releases by the US Publisher in UK and the USA.